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Baseball teams provide events that are described in Japan as fan service, such as dance shows, singing the team song or a performance by the team mascot.

Christian McCrea feels that Gainax is particularly good at addressing otaku through fan service by adding many ' meta-references' and by showing 'violence and hyperphysical activity'. Long shots of robots in mecha shows, sexual elements, violent episode-long fight scenes and emphasis on shipping can all be considered fan service as they are specifically aimed at pleasing the fans of any given show.

Some critics say that by portraying Leia as the object of desire to a crude monster, the film is reflecting the crude fantasies of its audience. This was an attempt to feminize the character and appeal to boys' fantasies. In the 1983 film Return of the Jedi, Carrie Fisher portrayed the character of Princess Leia wearing a metal bikini and chains while enslaved to the gangster Jabba the Hutt. Bikini shots and topless scenes were still popular forms of audience arousal.

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In the West, obscenity laws and rating systems (such as the Comics Code Authority in the United States or the MPAA rating system, which replaced the Hays Code for film ratings) prevent or limit unnecessary displays of nudity in films and comic books.

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By the 1980s, full frontal nudity and shower scenes became standard content for anime and manga fan service. Beginning in the 1970s with Cutey Honey and continuing later with other magical girl shows, fan service in manga became more risqué. Keith Russell regards the beginning of modern fan service as taking place in a permissive context, when 'kids were just doing kids' stuff', which he believes allowed authors some latitude in regards to their subject matter. In the US, the film was renamed 'Manina, the Girl in the Bikini' to highlight the appeal of the star and her revealing outfit (then a matter of controversy), despite her not appearing in the first 40 minutes of the 76 minute film. The 1952 French film Manina, la fille sans voiles (Manina, the Girl Without Sails) was not imported into the United States until 1958 after the success of the film's star, Brigitte Bardot, in that country. This includes any elements, be it visual nods, plot detours or otherwise, that are not needed by the actual plot or character development, but are included as nods to, or pandering to the long-term fans of the material, especially in context of sequels or prequels, or later seasons of series. Today, especially outside anime and manga, the term has expanded to hold a wider meaning. In fact, some import licences have little more than fan service as their selling point. Mike Tatsugawa explained this change as a result of a difference between cultural values of Japan and the U.S, though this has become rare and scrutinized in the modern age.

companies, the original work was often edited to remove some of the fan service, making it more appropriate for U.S. When anime and manga were translated into English by U.S. It is about 'servicing' the fan – giving the fans 'exactly what they want.' Fan service can also refer (by means of text, symbol, image, sound) to other stories that contain visual elements. The term originated in Japanese in the anime and manga fandom, but has been used in other languages and media.

#Panty glimpses series

Wikipe-tan, a personification of Wikipedia, wearing a swimsuit, an example of typical 'fan service'.įan service ( ファンサービス, fan sābisu), fanservice or service cut ( サービスカット, sābisu katto), is material in a work of fiction or in a fictional series that is intentionally added to please the audience, often sexual in nature, such as nudity.